"Edward" (Sebastian Stan) is a facially disfigured man, stuck in a rundown apartment, whose life isn't really going anywhere fast. Then he gets a new neighbour. "Ingrid" (Renato Reinsve) is a writer who befriends him and promises him a part in her play. Meantime, his doctors manage to get him on a radical course of treatment that gradually returns his face to a more normal visage. Returning to his flat, and with…

_A Different Man_ delights with a delicious paradox: take a character who feels outcast because of his looks, and then – _voila_. Melt away his differences. _Would he suddenly fit in? Would his life instantly turn around? Or is “success” far more than skin deep?_ New York writer-director Aaron Schimberg wants us to ponder if Edward is better off than he was before. We're caught between wondering if he's a victim…

Stories that allegorically address themes related to self-esteem, social acceptance and prejudice undoubtedly merit our attention, provided that they execute their narratives in discernable, cogent, relatable ways. Unfortunately, though, that’s where writer-director Aaron Schimberg’s third feature drops the ball. The film follows the strange saga of Edward Lemuel (Sebastian Stan), an aspiring New York actor…

**A Different Man (2024)** _Directed by Aaron Schimberg_ Aaron Schimberg's A Different Man announces its literary pedigree early, nodding to The Elephant Man and Cyrano de Bergerac (a clip plays on a TV screen, lest we miss the connection). But the true lineage, unacknowledged, is Hiroshi Teshigahara's The Face of Another (1966). Like that Japanese masterwork, Schimberg's film asks what happens when a man…