I don't need happy endings in my movies. A downer ending is often what makes a movie great. But I do like satisfactory ones. _It Comes at Night_ did not give that to me. Mystery is often its own reward, and I do believe that's what writer/director Trey Edward Shults was going for here, but it didn't wind up hit that resonant for me. This particular movie felt like it wasn't about the journey, it was about the…

**It's always family first in the apocalyptic world!** It was not what I was expecting, enjoyed it though. The trailer, the posters hints something else. So I thought it could be a horror, but it was even a terror or a thriller flick. Well, there were a few occasions where it was edgy, though in the most of the film nothing really happened. Slow but not boring. A simple storyline, limited cast and a apocalyptic…

**The marketing made me expect something this movie was not and ultimately dissatisfied me with what I got.** Marketed as a horror creature movie, It Comes at Night disappoints due to the severe lack of creature horror. Instead, the film follows a family surviving an apocalyptic virus that has all but wiped humanity off the face of the earth. Paranoia saturates every moment of the movie, with characters…

It Comes at Night is very realistic interpretation of a post-apocalyptic world which follows a family trying balance survival with their own morality. I found almost every aspect of the story to be incredibly grounded; from the way the house is set up to the interactions between our main two families. The whole entire film the families are walking on eggshells trying not to disturb the peace that has settled for…